πFull movie at end of the post
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Sodom (2017), directed by Mark Wilshin, is a British drama that unfolds over the course of a single night in an unnamed European city. The film begins with Will, a 20-year-old British footballer, waking up handcuffed to a lamppost after a drunken night out for his stag party. Disoriented and embarrassed, he's found and helped by Michael, a slightly older German man who brings him back to his apartment to clean up and recover. What starts as a simple act of kindness gradually evolves into something far more intimate and emotionally complex.
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As the night progresses, Michael and Will engage in a deep and often uncomfortable conversation that exposes their inner fears, insecurities, and desires. Michael is calm, open, and reflective, while Will is defensive, restless, and in denial about his sexuality. Their dialogue becomes a subtle battle between repression and acceptance, with Michael gently challenging Willβs preconceived notions about identity, love, and masculinity. The confined space of the apartment adds to the film's emotional intensity and intimacy.
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Despite his initial discomfort, Will begins to let his guard down, revealing that he has long struggled with feelings he couldnβt quite name or confront. The contrast between Michaelβs confidence in his sexuality and Willβs uncertainty highlights the psychological conflict at the heart of the film. As Michael shares his own personal experiences, including heartbreak and liberation, Will is forced to reevaluate his life choices, his impending marriage, and the role that societal expectations have played in shaping his identity.
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The emotional and physical tension between the two characters builds steadily, culminating in moments of vulnerability and unexpected tenderness. The film doesnβt offer a traditional romantic arc or tidy resolution but instead presents a raw and honest encounter that leaves a lasting impact on both men. Michael, though clearly affected by Will, respects his space and never pressures him, allowing Will to reach his own conclusions about who he is and what he wants.
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Sodom is a quiet, introspective film that focuses more on emotional truth than plot-driven action. With just two characters and one setting, it relies on powerful performances, especially by Pip Brignall (Will) and Jo Weil (Michael), and a thoughtful script that explores themes of sexual identity, emotional repression, and human connection. Ultimately, the film portrays a transformative night that forces one man to confront who he really is, and another to help him find the courage to face it.
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