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At the start of the 1990s in Paris, AIDS has already claimed countless lives over nearly a decade. The film centers on the vibrant and confrontational activism of ACT UP‑Paris, a grassroots collective fiercely determined to shake the complacency of politicians, pharmaceutical companies, and society at large . We first meet Nathan, a new recruit to the group, eager but relatively untested. Under the guidance of mediators like Sophie (played by Adèle Haenel), these activists plan bold demonstrations—from “zaps” spilling fake blood in laboratories to high‑energy condom distributions in schools—all choreographed in their weekly meetings known as “R.H.”Â
Into this maelstrom enters Sean Dalmazo (Nahuel PĂ©rez Biscayart), a charismatic and HIV‑positive activist whose unyielding commitment and fiery intensity offer a stark contrast to Nathan’s idealism . Sean embodies the urgency of the moment—his health deteriorating, he pours every ounce of strength into the fight, using his own body and vulnerability as weapons. Nathan becomes both inspired and romantically drawn to Sean, and their relationship grows amid the charged atmosphere of protest and sorrowÂ
As Sean's condition worsens, the film transforms from a political rally to a deeply personal journey. We see Sean hospitalized and emaciated—but still defiant. Their love story is interwoven with the harsh reality of AIDS in the 1990s: moments of tenderness, outrage, and human fragility are juxtaposed with the desperate fight for access to medical treatment . In an emotionally wrenching decision, Sean chooses euthanasia; Nathan stays by his side, honoring his partner’s agency and dignity in death, even as grief descends .
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Throughout the film, director Robin Campillo emphasizes communal solidarity. Large group scenes—whether in planning meetings or packed dance floors—are balanced with intimate moments between Nathan and Sean. Brilliantly edited and lit by naturalistic cinematography, the film pulsates with rhythms both frenetic and mournful, signaling that both activism and affection are vital forces against despair. The soundtrack and pacing mirror the era’s activism and the emotional heartbeat of a movement that refused to stay in the shadows.
BPM is both a historical reenactment and a human drama: a tribute to ACT UP and a meditation on love under threat. It won the Grand Prix and FIPRESCI Prize at Cannes 2017, as well as multiple César Awards including Best Film, Best Supporting Actor, and Best Original Screenplay . Rather than succumbing to sentimentality, it confronts viewers with the raw intensity of a generation determined to be seen, heard, and remembered. It is a powerful testament that love and rage can coexist—and chan
