πFull movie at end of the post
Madrid, 1987 is an intimate and dialogue-driven film that unfolds over the course of a single day. The story follows Miguel, a cynical, aging journalist, and Γngela, a bright and ambitious journalism student. What begins as a seemingly professional meeting soon turns personal when they find themselves unexpectedly locked in a bathroom together, naked and unable to escape. This forced confinement sets the stage for a psychological and emotional standoff.
Β

As the hours pass, Miguel and Γngela engage in intense, sometimes confrontational conversations about politics, art, freedom, gender roles, and generational change. Miguel represents the disillusionment and ego of an older intellectual class, while Γngela challenges his authority with her youthful idealism and clarity. Their debate becomes a battle of minds and values, full of sharp wit and tension.
Β

The nudity and close quarters strip away their social masks, exposing vulnerabilities and personal truths. Miguel reveals his fear of aging and irrelevance, while Γngelaβs composed exterior gives way to deeper insecurities and questions about her future. Their physical exposure parallels the emotional and ideological unmasking they experience over time.
Β

Despite the generational divide, moments of connection and mutual respect begin to emerge. They discover that, beneath their differences, both are searching for meaning, authenticity, and purpose. The bathroom becomes a metaphorical space of reflection and confrontation, where ideas about identity, power, and human connection are laid bare.
Β

Madrid, 1987 is a thought-provoking chamber drama that uses minimal setting and two compelling performances to explore big themes. It challenges viewers to reflect on how time, age, and ideology shape our perspectivesβand how, sometimes, the most profound transformations can occur in the most confined spaces.
Β